Higgsfield states that previously, creating such animations required using After Effects, Blender, and Cinema 4D simultaneously, but now it only requires Claude and Katana. The company has written the path in pure code rather than video generation. The post is accompanied by a 3D animation demonstration to compare with the old toolchain.

Katana, powered by Claude Motion, is claimed by the company to be its strongest AI video editing tool to date, now available within Claude via Higgsfield MCP. The usage involves uploading a reference and then generating editable motion graphics, product launch videos, and stylized clips. The command for a chase car demonstration is written as a request: let Claude create a 3D chase car animation using Katana.

The company has also released community presets covering motion graphics, 3D animations, product launches, fashion, automotive, travel, and stylized clips. After selecting a preset, users can replace characters, products, or outfits, and then redo it in Claude. More presets are still being added. Pure code refers to layers, motion, and composition being written in code, rather than handing over the final piece for a single video model sampling.

This interface was already receiving engineering software before the naming of Katana. On September 26, the same MCP allows Claude to call over 30 image and video models, build compositions, animation layers, write expressions, and return an editable After Effects project. The interface also exposes Blender, Premiere, Illustrator, Photoshop, TouchDesigner, and DaVinci Resolve. Generation is billed according to existing Higgsfield points, and subscriptions for Claude and After Effects still require additional payment.

On September 28, the company used Claude Opus 5.5, computer operations, and this MCP to break down a release clip across 12 laptops, completing visuals and animations, and then compiling them into an editable After Effects project. The new post shifts the selling point from generating videos with multiple models to replacing modeling and compositing software with code. After Effects still appears at the delivery end and has not been removed from the subscription list.

Buyers are dynamic designers and deployment teams who call Higgsfield based on points and have already subscribed to Claude. Sellers are studios selling After Effects, Blender, and Cinema 4D hours by seat. The event is driven by tool demonstrations, not by order lists. Money shifts from process fees to code calls and points in dialogue. Higgsfield receives billing, while Claude remains in the process. The pressure is on entry-level modeling, binding, and compositing hourly work. Those who can open and modify project files are still at the final piece end.

Source: Public Information