The first point to clarify is what “founder” means in the case of The Sunday Post.

The Sunday Post was not founded in the conventional sense by a single journalist launching an independent newspaper. David Couper Thomson (1861–1954) was the central founder, namesake and controlling proprietor of D.C. Thomson & Co.; The Sunday Post was a corporate launch by the D.C. Thomson publishing system under his control.

The paper first appeared on 4 October 1914 as The Post Sunday Special, developed from The Saturday Post. On 19 January 1919 it became The Sunday Post.

That distinction matters. The paper did not begin as an undercapitalised personal journal. It was built on an existing family business, printing capacity, distribution, established readership and commercial infrastructure.

David Couper Thomson came from a commercially prosperous family that had accumulated significant industrial resources before he became a major newspaper proprietor.

DC Thomson’s current official history records that David was born on 6 August 1861 at 6 Reform Street, Dundee, the second son of William Thomson II. William was a Dundee businessman and shipowner whose merchant fleet had expanded to 28 vessels by 1876, forming the precursor to the Thomson Line.

Biographical sources identify his mother as Margaret Couper and describe David as having been raised around Newport-on-Tay. Older secondary sources have differed over whether his birthplace was Dundee or Newport-on-Tay, but the company’s present historical record specifically identifies 6 Reform Street, Dundee, and is therefore the stronger source for the birthplace.

This was therefore not a classic rags-to-riches press story. Thomson entered publishing from a family environment already equipped with shipping capital, commercial networks and financial resources.

The family’s move into newspapers actually began with David’s father, William Thomson.

The Scottish Printing Archival Trust records that William, already a Dundee shipowner, acquired shares in the business publishing the Dundee Courier and Argus and Weekly News. In 1886 he obtained full control and made David a partner with extensive authority; the business became W. & D.C. Thomson. David’s brother Frederick subsequently joined as well.

The family’s underlying progression was therefore:

shipping and commercial capital → newspaper ownership → family control of publishing → magazines and comics → television and other media → digital data, technology and investment.

David’s distinctive achievement was not introducing the family to newspapers from nothing. It was converting the family’s commercial base into an institutionalised and enduring media enterprise.

The more authoritative corporate and industry histories do not provide a dependable school-university-degree sequence for David Couper Thomson.

What can be established is that his formative professional education was substantially practical. Biographical accounts place him first in the family shipping operation in Glasgow before his father brought him back to Dundee to take responsibility for the newspaper business.

His most visible formative environment was therefore not an identifiable university intellectual circle but late-Victorian Dundee’s world of shipping, printing, local newspaper competition, industrial production and family capitalism. That is an inference from his career trajectory rather than a documented statement of his personal philosophy.

His decisive early career move was the transition from shipping into publishing — as a manager and proprietor rather than as a reporter.

DC Thomson’s official timeline identifies 1884 as the year David Couper Thomson became a partner in W. & D.C. Thomson and received authority over printing and publishing. The Scottish Printing Archival Trust emphasises the 1886 transfer of full control to William and the broad authority given to David. Although the accounts frame the institutional milestones somewhat differently, both show that David was already in senior control while still in his twenties.

That background shaped the company. His core questions were necessarily those of circulation, machinery, utilisation, competition, costs and ownership. Journalism was the central product of an industrial system rather than his only professional identity.

The creation of D.C. Thomson & Co. Ltd in 1905 was the institutional moment at which David became the founder of a durable media group.

The company was established in 1905 to manage the newspaper side of the business. In the following period, the Thomson organisation and rival John Leng & Co. entered an arrangement in which Thomson held the majority position, with the combined operations eventually coming under Thomson-family management.

David’s historical position is therefore best understood as:

capital allocator + controlling proprietor + publishing operator + builder of media infrastructure, rather than primarily an editorial theorist or public intellectual.

The Sunday Post, Expansion, Intellectual Property, and the Family Asset Network

The Sunday Post emerged as a wartime extension of an existing publishing operation rather than as a greenfield start-up.

On 4 October 1914, shortly after the outbreak of the First World War, D.C. Thomson launched The Post Sunday Special. The company explicitly describes it as a development of The Saturday Post. It was renamed The Sunday Post in January 1919.

Commercially, this was a classic extension strategy: use an existing newsroom, brand, printing infrastructure, distribution network and audience to monetise an additional day of the week.

Its lasting differentiation was the combination of journalism, family entertainment and Scottish cultural identity.

The product historically combined news, sport, human-interest material, columns, humour and family entertainment. DC Thomson still presents the title as an institution read by generations of Scots and members of the Scottish diaspora, with contemporary content spanning investigations, news, sport, opinion, the P.S. lifestyle magazine, and the continuing Oor Wullie and The Broons strips.

The newspaper therefore sold more than information. At its height, it provided a weekly domestic ritual and a shared cultural vocabulary.

The year 1936 transformed The Sunday Post into an incubation platform for what would become one of DC Thomson’s greatest intellectual-property businesses.

The company introduced The Sunday Post Fun Section in 1936. DC Thomson’s own history says the characters became immediate successes and helped pave the way for its subsequent comics business. The Dandy followed in 1937 and The Beano in 1938.

The Fun Section effectively demonstrated an early IP model:

a character could first gain mass exposure inside a newspaper;

successful characters could build loyalty independent of the weekly news cycle;

and those characters could later generate books, annuals, standalone comics, licensing, merchandise, events and audiovisual development.

Oor Wullie and The Broons became the two most important enduring IP assets associated with The Sunday Post.

Their development was closely associated with editor Robert Duncan Low and artist Dudley D. Watkins. Historic Environment Scotland also recognises Watkins’ connection with the two long-running Sunday Post series.

Their importance extends beyond their commercial success. They became recognisable vehicles for Scottish humour, family life, language and social memory.

That IP can still be activated in new settings. In 2019, the Oor Wullie’s Big Bucket Trail placed around 200 sculptures across Scotland in a campaign benefiting children’s hospital charities.

At its peak, The Sunday Post achieved a degree of penetration approaching mass national coverage.

DC Thomson states that in 1969 estimated readership reached 2.93 million, representing more than 80% of Scotland’s population at the time and leading to Guinness recognition for readership penetration.

In 1974 weekly sales reached a record 1,774,000 copies.

In the pre-internet and pre-multichannel-media era, such penetration meant considerably more than large advertising inventory. The newspaper had the capacity to shape shared conversation, leisure and social norms on an extraordinary scale.

The deeper DC Thomson advantage was the ability to repeatedly convert existing infrastructure and audiences into new products.

After the First World War, the company deliberately expanded magazine production partly to make use of printing capacity not fully occupied by newspapers. The Scottish Printing Archival Trust records that this contributed to the move into children’s publishing, beginning with Adventure in 1921 and followed by titles such as Rover, Wizard, Skipper and Hotspur.

That episode reveals a core characteristic of the Thomson model:

creative publishing and industrial asset utilisation were integrated from the beginning.

The question was not merely which story to publish, but how machinery, distribution, editorial talent and audience relationships could continuously support additional products.

Family control survived the founder through successive generations rather than being sold to a listed conglomerate.

After David Couper Thomson’s death in 1954, W. Harold Thomson became chairman. In 1974 Brian H. Thomson became chairman and Derek B. Thomson deputy chairman, both serving as joint managing directors. Andrew F. Thomson became chairman in 2005, with Christopher H.W. Thomson as deputy chairman; Christopher became chairman in 2019, while Richard Hall became deputy chairman.

Richard Hall is the great-grandson of founding director Frederick Thomson. David H.E. Thomson, identified by the company as the elder son of then-chairman Andrew F. Thomson, joined the board in 2014. In 2022 John S. Thomson and Ben J. Gray, representing other branches of the extended family, became directors.

A 2021 report by The Courier stated that the four directors then serving — Christopher H.W. Thomson, Richard Hall, Andrew F. Thomson and David Thomson — were all descendants of the founding family, with other family members also employed in the business.

DC Thomson is therefore an unusually durable example of multi-generational family governance in media.

Family control remains in place in 2026, although the legal holding structure has recently changed.

DC Thomson currently describes itself explicitly as a family-owned business. Its public leadership includes Christopher Thomson as Chairman, Rebecca Miskin as CEO Trading and David Thomson as Director.

Companies House records show that D.C. Thomson & Company Holdings Limited was incorporated on 20 August 2025. From 20 March 2026 it became the sole active registered person with significant control over D.C. Thomson & Company Limited, with 75% or more of the shares, 75% or more of voting rights, and the right to appoint or remove directors.

Christopher Harold William Thomson and John Sidney Thomson both became directors of the new holding company on the date of its incorporation.

Modern DC Thomson is no longer accurately described simply as a newspaper publisher.

The company now organises its trading portfolio around eight communities:

Local, History, Puzzles, Energy & B2B, Kids, Advocacy, Golf, and Companionship.

Its major properties include:

local and Scottish media such as The Sunday Post, The Courier, The Press & Journal, Evening Telegraph, Evening Express, The Scots Magazine and Original 106;

children’s and IP brands including Beano, Commando, Oor Wullie, The Broons and Beano Brain;

Stylist in women-focused media;

The People’s Friend and My Weekly;

Puzzler;

Findmypast, the British Newspaper Archive and the Social History Archive;

and energy/technology/B2B businesses such as Energy Voice, E-FWD, Fifth Ring, Brightsolid, Discovery Print and Synergi.

The Sunday Post therefore sits inside a portfolio able to share technology, audience intelligence, advertising relationships, editorial capabilities, printing resources and IP.

It is useful to distinguish between hard economic assets and influence assets.

Hard assets include equity interests, operating businesses, media brands, copyrights and character IP, subscription relationships, databases, digitisation rights, technology businesses and printing infrastructure.

Findmypast illustrates the shift particularly clearly. Acquired by DC Thomson in 2007, it entered a landmark partnership with the British Library in 2010 to digitise newspapers and create the British Newspaper Archive. Findmypast currently reports more than 4 billion family-history records and more than 98 million historical newspaper pages.

Influence assets are less directly visible on a balance sheet: the historic authority of The Sunday Post, the cultural recognition of Oor Wullie and The Broons, the family’s connection to Dundee, campaigning capacity and philanthropic relationships.

Those assets can nevertheless support pricing, loyalty, policy influence and customer acquisition over very long periods.

Business Model, Capital Structure, Turning Points, Successes, and Controversies

The Sunday Post’s business model has evolved from newsstand scale toward subscriptions, advertising, digital revenue, IP and portfolio integration.

Historically, the two dominant revenue engines were circulation and advertising: higher paid circulation generated direct income while simultaneously increasing the value of advertising.

DC Thomson now explicitly describes the future of its Local journalism community as a reader-revenue model rooted in digital subscriptions. The Sunday Post continues to operate across print, digital, subscription and advertising channels.

It also possesses an unusual second layer of monetisation through Oor Wullie and The Broons, whose value can extend into annuals, books, licensing, consumer products and events.

At group level, DC Thomson has developed a substantially more diversified commercial model.

The first layer is conventional publishing: newsstand revenue, subscriptions, advertising, books and annuals.

The second is digital subscriptions and databases, including Findmypast and paid digital information products.

The third is B2B and service revenue. Puzzler supplies reusable puzzle content; Brightsolid operates in technology services; Fifth Ring serves B2B markets; and DC Thomson is seeking to build Energy Voice and associated energy brands into strong specialist subscription businesses.

The fourth is investment capital. DC Thomson Capital is the private-capital arm of the group, with current themes including food and nutrition security and the future of natural resources, including energy transition, water technology and the circular economy.

Modern DC Thomson can therefore be understood as a:

family media group + IP owner + data/subscription company + B2B services platform + long-term private investor.

Recent financial results demonstrate why the investment and diversification layers matter.

For the year ended 31 March 2024, DC Thomson reported approximately £93.8 million in pre-tax profit, compared with a roughly £161 million loss in the previous year, while revenue declined from approximately £161.4 million to £153.8 million. Newsstand revenue declined 3% to about £51.6 million, subscriptions increased 2% to approximately £40.6 million, and advertising was around £17 million.

The workforce fell from roughly 1,603 to 1,314 during that period, alongside closures and restructuring.

For the year ended 31 March 2025, the company reported approximately £31 million pre-tax profit and total group revenue of roughly £184 million. Around £29 million of new revenue was associated with Meadowside Insurance and the reinsurance of the group’s defined-benefit pension liability; excluding this activity, comparable trading revenue was approximately £134 million. Brightsolid grew revenue by about 12%, while digital subscriptions continued to expand.

The central implication is that the family’s economic position cannot be inferred from the circulation trajectory of one newspaper alone.

The Thomson family’s relative independence from external private equity and public equity markets is a defining structural characteristic.

DC Thomson remains privately held and family-owned, with no public evidence that an outside PE sponsor controls the company. The current registered controlling entity is its own holding-company structure.

This creates potential advantages for long-duration projects: archive digitisation, IP incubation, brand development and patient investments do not have to be judged exclusively on quarterly public-market performance.

It also produces a trade-off: concentrated family ownership means less public visibility into ultimate family economic interests than would typically exist in a widely held listed corporation.

The group’s most important partners are often institutional rather than financial investors.

Findmypast’s collaboration with the British Library is the clearest example. It helped create the British Newspaper Archive, converting historical print holdings into searchable digital content. Findmypast also works with institutions including The National Archives.

This captures the structural transition of DC Thomson:

its nineteenth- and twentieth-century strategic assets were presses, paper and physical distribution;

its twenty-first-century strategic assets increasingly include copyright, datasets, archives, search technology and direct user relationships.

The Northwood Charitable Trust is a significant component of the Thomson family’s influence network, although it should not be confused with a commercial operating asset.

The Trust was established in 1972. DC Thomson states that it was originally funded by a Thomson family member who donated shares in the family business, and that successive generations have continued to provide leadership and further donations. All current trustees are family members.

Its activities include support for arts, heritage, education, health, poverty reduction and organisations such as V&A Dundee.

The Trust therefore adds a layer of social and institutional capital to the family’s position in Dundee. The Thomson presence is not limited to media ownership and employment; it also extends into cultural and philanthropic infrastructure.

David Couper Thomson’s most consequential decisions form a remarkably coherent chain of capital transformation.

The first was moving from the shipping side of the family into publishing.

The second was institutionalising the newspaper interests as D.C. Thomson & Co. and consolidating competitive strength in Dundee.

The third was extending the publishing infrastructure into Sunday newspapers with the 1914 launch.

The fourth was using spare printing capacity after the First World War to build children’s and magazine publishing.

The fifth was using The Sunday Post as a proving ground for character-led content in 1936, eventually feeding into Dandy, Beano and the broader comics business.

In hindsight, perhaps the most powerful decision was not any single famous editorial campaign. It was the transformation of newspaper-production capacity into repeatable IP-production capacity.

The most serious controversy associated with David Couper Thomson personally was his strongly anti-union employment policy.

This is supported by primary parliamentary evidence. A 1952 House of Commons record states that D.C. Thomson had previously insisted that employees sign an agreement not to belong to a trade union. In September 1952 the firm agreed to stop insisting on the condition; unions then moved to end restrictions affecting supplies and distribution, while disputes over reinstating strikers remained unresolved.

The episode exposes a central contradiction in the historic Thomson management model:

the business could present itself as a paternal, long-term family employer while simultaneously resisting independent organised labour.

That form of paternalistic capitalism is an important part of the company’s early institutional history.

Historical allegations of religious discrimination are also significant, but the evidentiary distinction should be kept clear.

Scottish labour and local-history writing has repeatedly alleged that early DC Thomson practice excluded Roman Catholics from employment. A Scottish Left Review historical account explicitly records this claim.

Unlike the 1952 union dispute, however, readily accessible primary personnel records establishing the precise period, scope and implementation of such a rule are limited.

The responsible conclusion is that anti-Catholic employment discrimination is a recurring and serious criticism in histories of DC Thomson, but secondary historical claims should not be expanded beyond what their evidence demonstrates.

David Couper Thomson’s confrontation with Winston Churchill illustrates how directly he understood media ownership as political power.

Churchill represented Dundee in Parliament from 1908 until 1922. Relations with Thomson deteriorated sharply, and contemporary historical accounts describe Thomson-controlled Dundee newspapers campaigning against Churchill ahead of the 1922 election. Churchill subsequently lost his Dundee seat, although it would be unjustified to attribute the entire electoral result to Thomson.

The importance of the episode is structural rather than personal.

David was not merely a passive shareholder behind editors. He was a proprietor prepared to use newspaper power within a political struggle.

Modern controversy has centred more on restructuring, job losses and the tension between family capital strength and reductions in journalism employment.

In 2023 DC Thomson announced a major restructuring involving roughly 300 jobs — nearly one fifth of the workforce at the time — and the closure of almost 40 magazines. Reporting indicated that about 100 newspaper jobs were potentially affected across a portfolio that included The Sunday Post.

The National Union of Journalists criticised the cuts and also highlighted the company’s lack of formal union recognition despite having a substantial NUJ membership base.

Management framed the restructuring as a necessary digital reset in response to structural publishing changes and economic pressure.

The underlying debate is therefore one faced by many wealthy legacy-media owners: how much newsroom contraction is justified in order to preserve profitability and long-term corporate viability?

The diversification programme has also produced unsuccessful ventures, demonstrating that family ownership does not eliminate strategic error.

During the 2023–24 financial year, the group identified closures including Pure Radio and Bunkered Golf Breaks, as well as magazine closures, as factors affecting revenue.

Aceville Publications provides another example. DC Thomson acquired the magazine company in 2018 when it was presented as a fast-growing publisher, but its Colchester operation later became a major component of the 2023 closures and job reductions.

The more accurate interpretation of DC Thomson’s longevity is therefore not that every investment succeeds. It is that a patient family capital base gives the company enough capacity to experiment, withdraw from failures and retain successful assets over very long periods.

One of The Sunday Post’s clearest modern political interventions came during the 2014 Scottish independence referendum.

The paper endorsed No — Scotland remaining within the United Kingdom.

This was not a legal or commercial scandal, but it is important to understanding the newspaper’s political role.

The Sunday Post has often been positioned as a broad family newspaper, yet on a defining constitutional question it exercised explicit editorial power.

For unionist readers that represented a legitimate editorial judgement; for supporters of independence, it contributed to criticism of established media ownership and perceived institutional unionism.

Achievements, Current Position, and the Long-Term Timeline

The Sunday Post’s greatest achievement was not the creation of an elaborate theory of journalism; it was the creation of something resembling a Scottish mass-cultural operating system.

News, sport, family stories, humour, comic strips, social values and Sunday reading habits were combined into a single product.

At its historical height, weekly sales exceeded 1.7 million and estimated readership approached 3 million.

The continuing recognition of Oor Wullie and The Broons shows that cultural memory can outlive the economics of the original print circulation.

In that sense, one of The Sunday Post’s most important assets is the position it occupied in the routines and memories of several generations of Scots.

Its deeper strategic contribution to DC Thomson was demonstrating that newspapers could serve as discovery platforms for intellectual property.

The success of the 1936 Fun Section preceded Dandy and Beano, and DC Thomson’s own corporate history explicitly identifies it as a foundation for the company’s subsequent comics success.

The Sunday Post therefore helped DC Thomson discover a second growth engine:

character-based intellectual property.

Today Beano itself extends beyond a comic into subscriptions, multimedia development, consumer products and Beano Brain, the group’s children-and-family insight business.

That is a very long commercial shadow cast by an experiment begun inside a Sunday newspaper in 1936.

Another exceptional result is the Thomson family’s ability to retain control for more than a century.

D.C. Thomson & Co. was formalised in 1905. David died in 1954. In 2026 the company still publicly describes itself as family-owned.

That means the family solved one of the hardest problems in family capitalism: succession across generations.

The resulting ownership structure has encouraged a long-horizon mindset in which the implicit constraint is not simply the next quarter’s earnings but whether the business and assets remain valuable to future generations.

Family ownership is not proof of superior decision-making in every case, but the continuity itself is highly unusual in British media.

The Sunday Post no longer has anything close to its mid-twentieth-century mass penetration, but it would be misleading to conclude that it has no contemporary influence.

The most recent figures displayed on DC Thomson’s brand page show more than 126,800 average readers per issue under JICREG for July–December 2023 and more than 124,000 average monthly website page views in Q3 2024. These are not the same metrics as the 1974 weekly-copy sales figure and should not be used for a simplistic percentage decline comparison.

The broad direction is nevertheless obvious: print scale is far below the historic peak.

The contemporary value of the title is increasingly concentrated in four areas:

brand trust, Scottish cultural recognition, investigative/campaign journalism and direct relationships with a loyal audience.

It has moved from being an almost ubiquitous mass medium toward being a high-recognition heritage national brand.

Campaign journalism has become an increasingly important component of its modern influence.

The Sunday Post was named Scotland’s Newspaper of the Year in 2018 and Sunday Newspaper of the Year in 2022.

A particularly consequential example is Janet Boyle’s seven-year “Test Today, Save Lives Tomorrow” campaign for improved pre-eclampsia testing. It received Campaign of the Year recognition at the Scottish Press Awards and contributed to the Scottish Government providing funding for the test.

This demonstrates a major change in the mechanism of influence:

historically, influence came from millions of readers;

today, it can come from sustained investigation, agenda-setting and campaigns aimed at a specific policy outcome.

The title entered another stage of product reinvention in 2025.

Thomas Hawkins, previously deputy editor and interim editor, was formally appointed editor of The Sunday Post in 2025. His predecessor, David Lord, moved to become editorial director for DC Thomson’s energy portfolio.

A reimagined Sunday Post launched on 6 July 2025 with an expanded and redesigned Fun Section.

Strategically, this is revealing. Management is not attempting to turn The Sunday Post into an indistinguishable generic digital news site. Instead, it is reinforcing the combination that historically made the paper distinctive:

serious journalism + campaigning + entertainment + humour + heritage IP.

That campaigning identity remains visible in 2026.

DC Thomson’s current public site highlights a Sunday Post national campaign addressing violence against women and girls. The title has also worked with sister publications including The Courier and The Press & Journal on initiatives such as “Fresh Start”, focused on empty high-street premises, local economic renewal and Scottish town centres.

This illustrates a new form of group synergy.

Historically, DC Thomson brands chiefly shared presses and physical distribution.

Increasingly, they can share data, technology, editorial resources, advertising relationships, campaigning infrastructure and audience insights.

The Thomson family’s real-world position today is broader than that of a “Scottish newspaper dynasty.”

The Sunday Post, The Courier and The Press & Journal provide journalistic voice and political/social reach.

Beano, Oor Wullie and The Broons provide enduring IP.

Findmypast and the British Newspaper Archive provide historical data and subscription assets.

Puzzler provides highly reusable content.

Energy Voice, E-FWD and Fifth Ring provide specialist B2B audiences.

Brightsolid provides technology capabilities.

DC Thomson Capital provides an investment engine.

The Northwood Charitable Trust provides an additional layer of local philanthropic and institutional influence.

This is how a Dundee family whose nineteenth-century capital base lay in shipping can still control nationally significant cultural and information assets in the twenty-first century.

The most concise description of David Couper Thomson’s historical position is that he was not primarily a man remembered for his writing; he was an industrial institution-builder who combined capital, machinery, distribution and content into a hereditary media system.

His lasting legacy is an organisation rather than a single manifesto.

That organisation has completed several major transformations:

shipping capital → newspaper capital;

newspaper capital → mass publishing;

mass publishing → brands and intellectual property;

publishing and IP → data, subscriptions, technology, B2B services and long-term private investment.

The Sunday Post sits close to the centre of that evolution. It was both one of the family’s defining newspapers and the platform from which Oor Wullie, The Broons and the broader comics logic emerged.

The core timeline can therefore be reduced to the following sequence.

1861: David Couper Thomson is born in Dundee.

1860s–1870s: William Thomson expands the shipping business; the fleet reaches 28 merchant vessels by 1876.

1884–1886: David enters the core publishing operation; William secures control of the newspaper business and W. & D.C. Thomson develops.

1905: D.C. Thomson & Co. Ltd is established.

1914: The Post Sunday Special launches.

1919: It becomes The Sunday Post.

From 1921: the children’s story-paper portfolio expands.

1936: The Sunday Post Fun Section becomes the launch platform for core comic characters including Oor Wullie and The Broons.

1937–1938: Dandy and Beano follow.

1952: the company’s anti-union industrial dispute is documented in Parliament.

1954: David Couper Thomson dies and W. Harold Thomson succeeds him as chairman.

1969: estimated Sunday Post readership reaches 2.93 million.

1974: weekly sales peak at 1.774 million; Brian H. Thomson becomes chairman.

1987: DC Thomson takes a 30% interest in Waterstone’s, illustrating broader capital diversification.

2005: Puzzler Media is acquired.

2006: Aberdeen Journals, including The Press & Journal and Evening Express, is acquired for about £125 million.

2007: Findmypast is acquired.

2010–2011: the British Library collaboration develops into the British Newspaper Archive.

2014: The Sunday Post marks its centenary and endorses No in the Scottish independence referendum.

2015: DC Thomson acquires Shortlist Media, publisher of Stylist.

2016: Beano Studios is established to expand character IP across multimedia and consumer products.

2019: Christopher H.W. Thomson becomes chairman.

2023: the group announces a major restructuring involving around 300 jobs and the closure of almost 40 magazines, accelerating its digital reset.

2025: Thomas Hawkins becomes editor of The Sunday Post; a redesigned paper launches; D.C. Thomson & Company Holdings Limited is incorporated.

2026: the new holding company becomes the registered controller of at least 75% of D.C. Thomson & Company Limited’s shares and voting rights. The group remains publicly identified as family-owned while increasingly directing its future toward digital subscriptions, data, B2B information, technology and private capital.